Where culture comes alive, the magic of the Nefertiti Cultural Salon


Nefertiti Cultural Salon


In a world where culture and heritage often take a backseat, Nefertiti Cultural Salon emerges as a beacon of hope and knowledge. Founded in May 2023 by a group of passionate women from the fields of journalism and media, this salon aims to revive interest in Egypt's rich heritage and its ancient civilization. With a line-up of dynamic discussions and events, Nefertiti Cultural Salon seeks to bridge the gap between history and modernity, inviting the community to engage in meaningful dialogues about their cultural identity. In the following paragraphs, we explore the inception, purpose, and activities of this unique cultural hub.


Nefertiti Cultural Salon team 

The Journalist “Mouchira Moussa” stated that the Nefertiti Cultural Salon was founded by women who worked in the field of Egyptian journalism and media in May 2023,  The idea for the salon came after more than twenty years of work in journalism, writing about the ancient Egyptian monuments, culture, and heritage. The opportunity to establish and hold the salon's activities at the Creativity Center of Prince Taz Palace, which is part of the Cultural Development Fund, arose to discuss issues related to Egyptian civilization and its great human heritage through monthly dialogue events, hosting specialists in various fields of culture, heritage, and creativity. The radio host Wafaa Abdel Hamid and journalists Kamila Atris, Mouchira Moussa, Nevin Al-Aref, and Amany Abdel Hamid supervise the preparation of the salon. After working for over 20 years in interested areas like archaeology, heritage, and culture, we had wanted to establish a salon for some time, but the real start came with the release of the documentary film "Cleopatra" about Afrocentricity, which captured the attention of many Egyptians who didn’t know what Afrocentricity meant. We were encouraged to start by Dr. Hani Abu Al-Hassan, who was the head of the Cultural Development Fund, and he suggested we hold the salon at Prince Taz Palace once a month. This palace is an ancient Mamluk palace, and its historical atmosphere gave the events a mix of old and modern, achieving some of the main goals of the salon. At the same time, the artistic, cultural, and heritage activities brought some life to the ancient historical walls and enhanced the ability to develop the surrounding communities along with enriching the cultural and artistic movement continuously.


A previous meeting for the salon


Ms. “Mouchira Moussa” explained that they began in May 2023, and what distinguishes us from others  is that we are the only ones discussing ancient and contemporary Egyptian civilization and ways to revive heritage and culture. We do not simply convey dry information; we reach the heart, and there is interaction among the guests. The reason for naming the salon after Nefertiti is our love for her, as she is very beautiful, and Nefertiti, as a queen, experienced rebellion against old beliefs with her husband, King Akhenaten. Nefertiti is considered one of the rare and unique artifacts, just like the mask of Tutankhamun, which is golden, and the bust of Nefertiti in Berlin is a unique statue. Nefertiti, with her grandeur and beauty in the colorful details and craftsmanship, is a symbol of beauty in Egypt, not just for her looks but because of the beauty of the craftsmanship. The statue is something that you can't take your eyes off due to its greatness, and the statue combines all contradictions between royal greatness, advanced craftsmanship, and technological progress. Although she was not as great as Queen Hatshepsut, who built the Egyptian empire, or even Iyah Hotep, who was able to lead all the warriors and created a strong family afterward, but Nefertiti played a subtle diplomatic role behind her husband. She was present at a critical time that represented the peak of maturity and strength for ancient Egyptian civilization. Some people ask why we didn't name it after Nefertari, even though she is beautiful with her lovely tomb. From my perspective, the beauty of Nefertari lies in the fact that King Ramses loved her, so he built a temple for her and called her “She for whom the sun rises.” However, Akhenaten did not do that for Nefertiti, but she created her own place with her strength, beauty of character, and presence as an authentic Egyptian woman.


A previous meeting for the salon

The Journalist “Amany abdel hamid” said that the visitors are those who care about the issue of heritage and culture. In commenting on what Ms. Mouchira Moussa said, we started with the topic of Afrocentricity because it is a strange phenomenon or a controversial invitation in Egyptian society. Our desire in the salon is to breathe life into our civilization; we do not want it to remain an old heritage idea locked in museums but to transform into an exchange of information among generations. We see that direct education based on rote learning in schools does not create a state of awareness for the coming generations. However, in the salon, the information is direct and open for discussion and interaction. With the agreement of all the salon's makers, we always discuss subjects that matter to people without diving too deeply into history. We tell the story of civilization, but we also present the continuity of its manifestations because civilization is within the Egyptian himself, in their customs, traditions, daily rituals, and ways of thinking in dealing with changes in their society, which creates true civilization that we pass on to future generations.


A previous meeting for the salon


Ms. “Amany abdel hamid” explained that we started with a hot topic like Afrocentricity, or the Central African idea, which we explained. The people of West Africa and Americans of African descent had an issue since they were enslaved and brought from their homeland. They wanted to feel that they had a civilization, so they searched for the strongest civilization in the region, which is the Egyptian civilization that represents this continent, claiming, "Our roots are there," and they tried to prove that their origins are Egyptian. But the Egyptian civilization is highly advanced. Just as we started with a controversial topic, we aimed to continue in the same direction, looking at what is important and motivates people about what they want to know and don't find in information sources, so they visit us to obtain information in a clear and direct manner without modification or self-censorship. We also talked about Cairo as a unique architectural heritage and how we preserve it, and how architecture created Egyptian identity. We began working on this connection between the old and modern, holding multiple salons discussing rituals, customs, the Egyptian language, identity, holidays, and ways of celebration. There was a significant discussion in January about protecting and preserving heritage and how to safeguard it and keep it alive for future generations.


A previous meeting for the salon

The Journalist “Kamilia Atris” stated that our aim is to convey the beauty of Egypt to future generations. The core idea of the salon is always how to reach the audience and show that everything has Egyptian roots and that its origin is ancient Egypt. For example, in the episode that Professor Amani mentioned about celebrating holidays, we discovered that all these rituals have their roots in ancient Egypt. Even in Ramadan and the lanterns, all of this is originally from ancient Egypt. For instance, in an episode about women's rights, we found that these rights are recorded on walls and in books dating back to ancient Egyptian times. As time goes on, we discover that our civilization is magnificent. She assured that the salon's goals include shedding light on the human values of ancient Egyptian civilization, addressing controversial issues raised within Egyptian society and their connection to ancient Egyptian history, and working to identify the sources of strength, uniqueness, and authenticity present in ancient Egyptian civilization and the extent of its impact on our lives today. Furthermore, we aim to introduce symbols of thought and creativity and those who contributed to building the society and civilization that has lasted for thousands of years. To achieve these goals, the salon is careful in choosing the topic of each event while connecting the past with the present, selecting guests based on their expertise and professional experience, organizing art exhibitions within the changing display hall at Prince Taz Palace alongside its activities, and presenting artistic segments at the end of several events in line with the discussion topic. Additionally, the salon emphasizes opening dialogue with the audience at the end of its events, whether for questions or sharing information and ideas.


A previous meeting for the salon

A previous meeting for the salon

The Radio Host  “Wafaa Abdel Hamid” confirmed that the main goal of establishing this salon is to promote the legacy of ancient Egyptian civilization and encourage or instill belonging to this homeland. We create a bridge of communication between the present and the past, returning the origins of everything to our ancient Egyptian civilization. Our real guests are considered the elite. at the beginning, they came to support us, but now they request to join us, and many of them are significant figures in society, including professors, doctors, and ministers. A testament to this is the initiative launched by Zahi Hawass for the return of Nefertiti. The first initiative for the return of the head of Nefertiti from the Berlin Museum came from the Nefertiti Salon. We work with issue and conviction, as we operate voluntarily, and the guests who participate with us also participate voluntarily.


A previous meeting for the salon

Ms. “Wafaa Abdel Hamid” added that  Our audience is cultured and sophisticated, and the composition of our audience varies; we have artists, university professors, and antiquities officials, most of whom hold advanced degrees like PhDs. She also mentioned the presence of young people, noting that we were surprised during the Afrocentricity episode when young people showed enthusiasm, as this is an important issue for the Egyptian people. Throughout the salon and its events, we occasionally had youth presents; at other times, they were not present, but a majority were often included, being both young and old. Many young people ask questions and direct their comments. While we provide a wealth of information, we also engage in investigative discussions, asking the audience about topics like Dr. Zahi Hawass, where most of the attendees were university students, foreign journalists, and African journalists, all curious about whether the head of Nefertiti would return or discussing the Rosetta Stone. The results of this episode were astounding. We dream that the salon becomes an extended event where we reach our maximum potential to tell the heritage effectively in practice, not just to document it through words or meetings. We also aim to document it through production and continuity and want to move to different villages and governorates across Egypt.


A previous meeting for the salon

In truth, the Nefertiti Cultural Salon represents an energy of love felt by us, the salon members, towards our country, which fate has led us to explore its cities, regions, and historical sites. Journalism has been a means of expressing our appreciation and gratitude for this great country. The desire to tell the story of beauty and introduce the points of antiquity and authenticity is the motivation for us to continue our cultural work outside the limits of writing, journalism, and media.

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